Team & Board — the frank theatre

Our Team

Fay Nass

ARTISTIC & EXECUTIVE DIRECTOR
Pronouns: She/He/They

Fay Nass is a community-engaged director, writer, dramaturg, innovator, producer and educator. They are the Artistic Director of the frank theatre company and the founder/Artistic Director of Aphotic Theatre.

Fay has over 17 years of experience in text-based and devised work deeply rooted in inter-cultural and collaborative approaches. Fay’s work often examines questions of race, gender, sexuality, culture and language through an intersectional lens in order to shift meanings and de-construct paradigms rooted in our society. Fay’s work celebrates liminality and trans-culturalism, and blurs the line between politics and intimate personal stories.

Fay’s work has been presented at PuSh International Performing Arts Festival, SummerWorks Festival, Queer Arts Festival, the CULTCH and Firehall Arts Centre. Her readings and experimental work have been presented at various conferences and artist-run galleries in Spain, Berlin and Paris. Their co-creation project Be-Longing was part of the 2021 New York international Film Festival, NICE International Film Festival and Madrid International Film Festival.

Their most recent credits include: co-creating Be-Longing (the frank theatre), co-directing Trans Script Part I: The Women (the frank theatre and Zee Theatre at Firehall Arts Centre), directing She Mami Wata & the Pussy WitchHunt (the frank theatre at PuSh Festival 2020), co-directing Straight White Men (ITSAZOO productions at Gateway Theatre), and dramaturgy for Camera Obscura (Hungry Ghosts) (the frank theatre & QAF). Fay holds an MFA from Simon Fraser University. Currently, they are doing the Artistic Leadership Residency at the National Theatre School of Canada.

As an artistic leader and a practitioner, Fay has deep and involved relationships—both creative and organizational—with a wide spectrum of artists across generations and stylistic practices. As an educator and facilitator, their philosophy and pedagogy are rooted in anti-racism and anti-oppression.

Anais West

ARTISTIC PRODUCER
Pronouns: They/He

Anais is a queer & trans writer, producer and performer. They are also a settler of Polish descent, based on occupied xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səlil̓wətaʔɬ (Tsleil-Waututh) territories.

Anais’ work is multidisciplinary: through hybrid art, they grapple with the multiplicity that exists in gender, sexuality, culture and self. As a writer, their projects include the video-play hybrid Kill Your Lovers, (Buddies In Bad Times Theatre’s Rhubarb Festival, Toronto, and the Fresh Fruit Festival, NYC), the slam poetry musical Poly Queer Love Ballad, (Queer Arts Festival, the frank theatre and Zee Zee Theatre, Vancouver, and Theatre Passe Muraille, Toronto), the theatrical short film Underground Absolute Fiction (Rumble Theatre’s Tremors Festival, Vancouver), and the site-specific performance The Café (ITSAZOO, Aphotic Theatre and PuSh Festival, Vancouver.)

Anais was the 2023 winner of the Wildfire National Playwriting Competition, the 2018 winner of PTC’s Fringe New Play Prize, and he’s been nominated for two Jessie Richardson Awards, including Outstanding Original Script. Their writing has been published in This is Beyond: A Time Capsule of Queer Experience with Playwrights Canada Press.

As an actor, they have performed with the French Theatre at the National Arts Centre, the Firehall Arts Centre, Savage Society, Théâtre la Seizième, the Only Animal, Rumble Theatre and more. With the frank, Anais recently co-produced White Girls in Moccasins, I Cannot Lie to the Stars That Made Me, She Mami Wata & the Pussy WitchHunt, and Be-Longing.

Karter Masuhara
MANAGING PRODUCER
Pronouns: They/Them

Karter Masuhara is a non-binary artist and arts manager based in Vancouver on the occupied xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and səlil̓wətaʔɬ (Tsleil-Waututh) territories. They have worked for a variety of artistic companies in administrative and communication roles with a focus on creating opportunities to uplift diverse voices.
As an artist they have written and directed an award-winning short film, Where to Piss, which has been entered into multiple film festivals globally. They have also written and self-produced their own play, Before They Cut Down Our Tree, which was presented at the 2023 Vancouver Fringe Festival. They have a Masters in Screenwriting from Leeds Beckett University.

Adonis Critter King

ASSOCIATE PRODUCER
Pronouns: They/Them

Adonis Critter King is a Black, queer, trans/non-binary, interdisciplinary artist, spoken word poet, theatre creator, writer, director, producer, dramaturg, and educator, living and working on the unceded lands of the Musqueam, Squamish, and Tsleil-Waututh Nations.

Their arts practice is rooted in social justice as daily practice, revolution as habit that starts in the home, and QT2BIMPOC safe space curation. Their poetic works explore the cringey horrors of the everyday, the unsettling nature of becoming, and the joys and complexities of mad and disabled QT2MBIPOC life. Their theatrical works use afro-surrealism, visionary fiction, and immersive experience to explore the difficult choices we must make to liberate our futures.

Adonis was the 2016 Youth Poet Laureate of Victoria, received the 2017 VACCS Community Recognition Award, and is the 2020 recipient of the Witness Legacy Award for Social Purpose and Responsibility Through Art.

Their writing (select) has been published in 21 Black Futures with Playwright’s Canada Press, Here! Magazine, Poetry is Dead, and The Language of Family: Stories of Bonds and Belonging with the Royal BC Museum.

Their most recent directing credits include: Picky, Peasy, and Nappyhead (Obsidian Theatre) Monica vs. the Internet Tales of a Social Justice Warrior (VACT & WHYNOT Theatre) and The Newcomer (Ay Caramba! Theatre). Select assistant directing credits include: How Black Mothers Say I Love You (The Frank Theatre Company) Of the Sea (Obsidian Theatre & Tapestry Orchestra) and Choir Boy (Canadian Stage).

Adonis is currently facilitating Telling it Bent: a youth writing program with The Frank Theatre, Vines Youth Jam: World Building for Revolution an 8 week interdisciplinary writing program with Vines Art Society, and The Lily Pad a QT2BIMPOC writer’s circle. They are a dramaturg for The Parallel Project, and are currently working on Reborn Livid: a spoken word visual album, and Dreamweavers, an immersive children’s play with Story Theatre.

Our Board

Alva Tang

BOARD CHAIR
She/Her
Alva Tang is a fundraising professional that has always had a passion for the arts. She believes The Frank Theatre is doing amazing work — work that she wishes she would have had around her growing up as inspiration. She believes this work is powerful, captivating, and incredibly impactful. She is happy to use her skills, experiences, and connections to bring artists the opportunity for more queer representation on our stages, and contribute to our vibrant LGBTQ2S+ Community.
Ben Lange

VICE PRESIDENT
He/Him
Ben Lange (he/him) moved from Germany to Canada at the age of 14 and has spent the last 7 years in marketing and communications. Throughout his professional career, he has performed a wide variety of key functions related to digital marketing, media purchasing, and creative development.
Before starting his current role at Rocky Mountaineer, he worked with local arts organizations such as the PuSh International Performing Arts Festival and Vancouver Pride Society amongst others. He focuses on marketing through developing and nurturing partnerships to reach beyond existing audiences.
Sarah Forrer

SECRETARY
She/Her
As a dedicated theatregoer and fundraising professional, Sarah is delighted to combine both of her passions into her new role on the Board. Working with a variety of organizations has helped her develop a broad range of skills and expertise that she is eager to bring to the frank. Sarah looks forward to supporting the frank's important mission, and is excited to further elevate cultural expression and inclusivity within the arts community.
Linda Gorrie

TREASURER
She/Her
Linda Gorrie has been working as a professional arts administrator since 1984, most recently as administrative director of Playwrights Theatre Centre (1998-2013), director of finance and administration for the Vancouver International Film Festival Society (2013-2017) and business management consultant to the PuSh International Performing Arts Festival and grunt gallery (2004-present). She participated in the Banff Centre School of Management Arts Management Program (1987), was a member of the Executive Director’s Learning Circle (Vantage Point) and was awarded the Mary Phillips Prize at the 2005 Jessie Theatre Awards. She served as treasurer of the Professional Association of Canadian Theatres (PACT) (2005-2015), and chairperson of the Leon and Thea Koerner Foundation (2008-2015).
NikNaz Kahnamoui

MEMBER AT LARGE
She/Her
NikNaz is a first-generation queer immigrant from Iran and settler on the unceded lands of the sḵwx̱wú7mesh (Squamish), sel̓íl̓witulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) nations.
She is a skin-in-the-game kind of consultant – the kind who meets you where you are, whether in the glory or right in the muck, and works with you to identify and create pathways to organizational clarity, development, and change. She approaches her work from an anti-oppression and social justice lens. NikNaz has worked in the public, private, and non-profit sectors, in various industries and different countries, with organizations ranging from Fortune 500 companies to grassroots networks with minimal funding. She is a certified Project Management Professional (PMP) and a non-profit lifecycles capacity consultant. She has an MA in interdisciplinary studies from Simon Fraser University and a certificate in Dialogue and Civic Engagement. NikNaz is also a mixed media visual artist and the arts are an integral part of her life. For more information: www.niknazkahnamoui.com
Kathleen Mullen

MEMBER AT LARGE
She/Her
Kathleen Mullen (she/her) grew up queer in Edmonton, Alberta and the San Francisco Bay Area. She has contributed to the planning and execution of film and art festivals nationally and internationally as curator, programmer, and festival director. Kathleen currently is programming as Senior Programmer at Vancouver Queer Film Festival, and for Frameline: San Francisco LGBTQ+ Film Festival, Seattle International Film Festival, Victoria Film Festival, and Sustainable Production Forum. For 9 years she led the artistic direction and operations as Festival Director of the Seattle Queer Film Festival. Kathleen co-teaches the Skoden Indigenous Film Festival class at Simon Fraser University and the Lesley Independent Film Festival at Lesley University. She loves supporting other filmmakers, up and coming festival programmers, and the new generation of arts administrators. Kathleen has written and directed the films you wash my skin with sunshine, Sleep Lines, Button OUT!, and the documentary Breathtaking.
Jen Pearson

MEMBER AT LARGE
She/Her
Jen Pearson is a dedicated advocate for the arts, with a rich background in event curation and community building. As a co-founder of several influential events in Vancouver, she has consistently worked to amplify underrepresented voices in the arts, particularly within the electronic music and 2SLGBTQ+ communities. Her curatorial work for organizations (such as Public Disco) has been pivotal in creating spaces that celebrate diversity and foster community connection.
Graduating with a BA in Communications from Simon Fraser University and holding a Certificate in Event Management from Vancouver Island University, Jen combines academic knowledge with practical expertise in organizing inclusive and impactful cultural events. As a new board member for The Frank Theatre, she is excited to contribute to the theatre’s mission of challenging dominant narratives. With her extensive experience in cultural event curation and dedication to community engagement, Jen hopes to support The Frank in its vision of a utopic world, free of prejudices and assumptions.